The more relaxed attack made these units suitable and more forgiving for bus compression and mastering purposes. The slower RS124s were favored for studio reduction mixes and in Abbey Road’s cutting rooms during the 60s. This is the more aggressive sound of the RS124, which creates a beautiful “squashed” sound on transients.Ĭutter is a modification with slower attack and release times. 60070B – a favorite unit used for tracking at Abbey Road from the late 50s into the 60s, due to its faster attack and release times. As a result, some units were more suited for tracking, others for bus compression and disc cutting/mastering duties.Īccordingly, the Waves Abbey Road plugin features two distinct RS124 flavors, modeled from the original hardware: Each had different sonic qualities and attack/release times, due to constant tinkering of the components used. Naturally, no RS124 unit sounded exactly the same. It is believed only 25 units were ever created, and each unit/serial number was hand-built by Abbey Road/EMI technical legends Bill Livy, Len Page and Mike Bachelor. The RS124 was actually an extensive in-house modification of the American Altec 436B compressor. Today, GRAMMY®-winning pop/R&B and hip-hop engineer Tony Maserati consistently applies RS124 tones to his vocal tracks, including those of Beyoncé and Alicia Keys, to supplement their stunning voice qualities. Now, its one-of-a-kind sound is available for you as well. Since its rediscovery in the early 2000s, this important, rare and unique compressor in still being used at Abbey Road Studios today. The RS124 sound is especially famous for the thick, creamy bass tones it produced on Beatles classics such as “Rain” and “Come Together.”Ībbey Road engineers would typically push the input of the RS124 deep into 15-20 dB of gain reduction, producing wonderfully lush results on numerous sources.
The legendary RS124 left a huge sonic fingerprint on the Abbey Road 60s sound. The custom-built RS124 compressors were the secret weapon of Abbey Road engineers during the 60s – favored by Geoff Emerick for punchy bass sounds, by Ken Scott for lush guitar treatment and by Norman Smith for lightly gluing the entire rhythm bus.įurthermore, the RS124 was also a popular choice for mastering in Abbey Road’s cutting rooms.
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With two distinct flavors to choose from, this classic tube model is the only software emulation of the ultra-rare RS124s approved by Abbey Road Studios.įew pieces of gear define music history as the RS124 does.
Give your music the sound of silky-smooth Abbey Road RS124 compression – the legendary velvety tones heard on every Beatles recording made at Abbey Road. The Abbey Road RS124 is the holy grail of smooth compressors.
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Knoxville, TN, DecemWaves Audio, the world’s leading developer of professional audio signal processing technologies and leading maker of audio plugins for mixing, music production, mastering, sound design, broadcast, post-production and live sound, is now shipping the Abbey Road RS124 Compressor plugin.
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